Anand Sonar
Academic Qualifications:
SSC in 1957, G.D. Art (Drawing &
Painting 1971)
Solo Shows:
• Fourteen shows at Jehangir Art Gallery Mumbai. (1977 - 2015).
• Nashik Kala Niketan - 1977.
•Venkattappa Art Gallery Banglore - 1983.
• Library Hall - Nashik 1988 and 2010.
"India Progress - 92" Cross Maidan, Mumbai - 1992.
• British Art Gallery, London -1993.
• Hotel Rama International, Aurangabad - 1996.
SARL or El Sel Gallery - Paris -2003.
Shahu Smarak Art GalleryKolhapur - 2011.
Harmony Art Gallery Nashik
Collections:
> Hotel Taj, AIR India, Indian Oil Company, Vakil & Sons, Soni Thakur,
Festive Papers, Mumbai and many private collection in India.
Germany, Italy, Paris, Switzerland, England, Holland, UK, USA,
Australiya, Austria, Belgiave, Israel, Japan, Barcilona, Denmark and
other parts of the World.
Group Shows:
> M. Phule Kaladalan, Nashik -1984.
> Jyoti - Kalash - Nashik - 1999.
> Kala - Meta Nashik - 2000.
> Indo - France - Cultural Association Nashik - 2000 (WITH
DANIE MOULIN OF PARIS).
> “Lokmat" M. Phule Kala Dalan Nashik - 2001 - 2002 - 2008.
Padmabhushan A. Ramachandran Greet
Mr. A R Sonar , Delhi 2010
> `Color
`Color Of Life" show by CAPP -
Cymroza Art Gallery Mumbai - 2007.
>Indian
Indian Oil Company Mumbai -
2008 Harmony Art Gallery
Nashik - 2013.
> Savarde School of Art's
Exhibition at Jehangir Art Gallery Mumbai - 2014.
> `Rare fair - 2015' by Trisha
rare Craft, at Indraprastha Hall,
Nashik - 2015.
> Shlok - Lakmat's Art Exhibition
"Rethinking the Regional" at
NGMA - Mumbai - 2015.
With Padmashri & Padmabhu
DEMONSTRATIONS:
> Work Shop on Indian Art, Jyoti
Kalash Nashik.
> Kala Kshetra, Art Schools, Art
Camps & Kala Melas
> Sadhna Art Gallery for Kala Niketan Nashik - 2012
> Shahu Smarak Bhavan Kolhapur -2011
> Bhima
Bhima Festival Kolhapur – 2012
> School
School of Art - Akola 2013
> Chitrakala Mahavidyalaya Nashik- 2015
ART CAMPS:
> Ranglaharr Ganpati - Pule.
> Ratnagiri by M.T.D.C. 2007.
> Art Camp at Nagpur By Painternet Mumbai 2007.
> Art Camp at Savarde -Ratnagiri by Shri Raje Shirke - 2015.
