This monochrome relief arranges cut paper strips into an austere, woven field where horizontal bands lock against a vertical spine, creating a quiet tension between order and interruption. Light becomes the true pigment: minute shadows lodge in the seams and lifted edges, turning the surface into a shifting topography that breathes as the viewer’s angle changes. The work reads like an abstracted architecture of memory—methodical, repaired, and reconfigured—suggesting that structure is never fixed but continually negotiated through small acts of layering and omission.