This elongated metal sculpture unfurls like a fossilized wave or a torn ribbon of earth, its curled cavities turning negative space into the true protagonist. The patinated surface—smoky greys with bruised hints of green and ochre—catches light along sharp edges, letting each fold read as both wound and shelter. Balanced low to the plinth yet restless in its undulating rhythm, the form suggests a tension between containment and release, as if an inner pressure has permanently imprinted itself onto the skin of the material. In the quiet of its horizontal spread, the work becomes a meditation on transformation: matter remembering motion long after the force has passed.