Untitled 6 (Questioning Less) Acrylic Figurative Painting

This work reads like an archaeological wall of language—typewritten fragments, gridded measures, and bruised washes of umber and ash—where information is both revealed and weathered into near-forgetfulness. The composition’s rigid lattice tries to impose order, yet the smeared, eroded surfaces and overprinted text create a restless palimpsest, suggesting memory as a contested site rather than a stable record. Light is not depicted so much as excavated: it seeps through abrasions and faded paper tones, turning the act of reading into a slow, uncertain deciphering. In its tension between archive and ruin, the piece meditates on how systems meant to clarify—documentation, mapping, classification—can also overwhelm, conceal, and quietly distort.