This work stages a volatile horizon where sunburnt ochres press against a deep, tidal green, as if two climates—memory and matter—have been stitched together in a single breath. Sketched silhouettes hover and dissolve through the layered washes, suggesting figures in passage: birds, bodies, or shadows caught between ascent and submersion, never fully claiming one world. The painterly bands act like geological strata or screens of time, turning space into a palimpsest where movement is felt more than described. What emerges is a meditation on transition—how presence persists as trace, and how the boundary line can become the most charged place to exist.