Untitled (Tribal Couple Embrace) Printmaking Religious Printmaking

This composition stages a quiet encounter between two stylized profiles, their gazes suspended in a dense lattice of arcs and suspended orbs that read like both ritual objects and the machinery of thought. The palette—smoky violets and ironed blues pierced by molten amber—casts the scene as a nocturne lit from within, where warmth becomes a language of longing against a ground of introspective shadow. Patterned textures and crosshatched surfaces dissolve the boundary between figure and environment, suggesting identity as something woven—part memory, part architecture. In the compressed space, the near-touch of faces feels less like conversation than communion, a poised moment where intimacy is negotiated through symbolic forms rather than words.