A totemic column of softened, horizontal bands hovers against a weathered earthen ground, as if memory itself has been stacked into luminous strata. The palette—ochres and rusts pierced by sudden cool blue—creates a quiet tension between heat and clarity, while the chalky white intervals act like breaths or pauses that keep the composition from collapsing into mere repetition. The grainy, abraded surface reads as both erosion and insistence, suggesting a ritual of return where order is continually rebuilt from the residue of time. In its gentle symmetry and imperfect edges, the work offers a meditation on stability that is never fixed, only re-affirmed.