This work inhabits a restrained, graphite-cool atmosphere where fractured geometry and soft erasures negotiate a fragile truce between construction and dissolution. Triangular lattices and overlapping planes read like a blueprint repeatedly revised, as if memory were being engineered and then deliberately rubbed away, leaving only partial certainties. Light arrives not as radiance but as abrasion—chalky whites scuffed into the surface—so the image feels less depicted than excavated, a quiet meditation on how structures endure while meaning remains provisional.