Set against a warm, schematic field that reads like an enlarged circuit diagram, the repeated female silhouettes become both icons and conduits—bodies tessellated into grids as though identity were being compiled, duplicated, and debugged. Salvaged motherboards and scorched components punctuate the surface like urban blocks, turning the figure into architecture and the city into a nervous system where desire, labor, and data circulate in the same wired breath. The gleaming, bulb-like “heads” suggest surveillance and interface at once, proposing a choreography of selfhood that is assembled from commodity parts, yet still insists on gesture and presence. In its layered collage of hand-drawn circuitry and tangible electronics, the work stages a quiet tension between human intimacy and technological standardization, asking what remains singular when the body is rendered as circuitry.