Red Blooded Mixed Media Abstract Painting
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Description
This triptych treats the surface as both skin and map: a field of granular green is punctured by apertures that reveal a quieter, hidden architecture beneath. Moving from scattered voids to a disciplined grid of raised, blade-like facets and finally to a fractured floral geometry, the composition stages a gradual negotiation between chance and order, as if pattern is being coaxed out of erosion. Light becomes an active collaborator—catching edges, casting tiny shadows, and turning subtraction into a kind of drawing—so the work reads as an archaeology of perception where absence carries as much weight as form.
Additional Information
| Type |
Original |
|---|---|
| Size |
16x33 |
| Material |
Paper |