This work reads like a tactile cross‑section of memory—stratified bands of ochre and clay held in place by raised, pale contours that behave both as borders and as scars. The composition turns around a central almond-shaped void, a quiet axis that gathers the surrounding forms into a slow, pulsing rhythm, as if the surface itself were breathing. Dusty reds flare beneath the relief like embers caught in sediment, suggesting an archaeology of feeling where what is buried insists on becoming visible again.