This work reads like an architecture remembered rather than observed—forms of windows and stair-like diagonals briefly surface from a fog of umber and ash, as if the city were dissolving back into its own sediment. The palette’s muted warmth is interrupted by small, dark apertures that function as absences, turning habitation into a quiet question and light into something withheld. Rough, scumbled passages compress depth and erase edges, creating a space where structure and erosion coexist, suggesting the way memory builds and unbuilds a place at the same time.