Distant View Acrylic Abstract Painting

A vertical field of weathered textures accrues like an urban palimpsest, where scraped whites and soot-like grays collide with sudden seams of mossy green and ember orange. The composition feels built and eroded at once—blocks and fragments suggesting half-remembered architecture dissolving back into raw pigment, as if time itself were the principal brush. Light is not depicted so much as unearthed, flashing through abrasions and translucent layers to create a hesitant optimism amid the grit. In this restless balance between construction and decay, the work becomes a meditation on how memory clings to surfaces, and how renewal can emerge from ruin without ever fully cleansing it.