Two stag-like figures, cast in a subdued bronze-gold, face one another in a quiet standoff that feels less confrontational than ceremonial—an encounter suspended between instinct and recognition. Their wiry, stippled surfaces catch light in countless small facets, turning the bodies into tactile landscapes and suggesting endurance etched by time. Set against an emptied ground, the negative space becomes a silent third presence, amplifying the poised symmetry and proposing a meditation on duality: self and other, vigilance and tenderness, the wild held momentarily in stillness.