Comforting Illusion Digital Painting Abstract Digital Art

This grayscale quadriptych stages four disciplined vortices of folded planes, each spiral tightening toward a velvety core that reads as both aperture and void. The repeated geometry becomes a quiet study in perception: light slides across the faceted “pages,” turning simple gradients into a sense of depth that feels architectural, almost bodily, like an eye’s iris contracting. By mirroring the motif across the grid, the work suggests a cyclical meditation on attention—how order can both stabilize and hypnotize, drawing the viewer inward while withholding any final center. The restraint of monochrome amplifies the conceptual tension between control and collapse, where structure is the very mechanism of disorientation.