This watercolor-like abstraction feels like a city remembered through weather—its geometry barely holding while currents of blue and green dissolve the edges into atmosphere. Scattered apertures of ochre read as windows or lit thresholds, small insistences of human presence puncturing an otherwise drifting, tidal field. The faint grid of lines suggests an underlying plan or map, yet the soft bleeding of pigment overrides control, turning structure into a meditation on permeability, transit, and the way place becomes emotion over time.