Set against a velvety black field, a constellation of circular vignettes isolates fragments of an urban skyline—scaffolds, cables, roofs, and half-built forms—turning the city into a sequence of fleeting sightings rather than a single, stable place. The stark monochrome compresses depth into silhouette, where light becomes a hard-edged absence and the built environment reads like memory: incomplete, interrupted, and constantly revised. By repeating the “window” motif, the work suggests surveillance and distance, as if modern life is apprehended through small apertures that both reveal and withhold. What emerges is a quiet narrative of construction and erasure—an architecture of becoming, caught between aspiration and shadow.