This composition distills three bovine heads into a prismatic chorus, where sharp black contours fracture the forms into stained-glass planes of crimson, teal, and sunlit ochre. The warm gold ground operates like a ceremonial field, lifting the animals from the literal into the emblematic—part totem, part memory—while the repeated profiles suggest communal breath and shared endurance. Light feels engineered rather than observed, sliding across facets to imply movement without motion, as if the herd advances through time by the sheer insistence of pattern and color.