A small congregation of glazed ceramic forms—part shell, part seed, part unknown organism—perches on dark pedestals like specimens lifted from a tidal archive. The palette of oceanic blues, bruised greens, chalky whites, and sandy ochres turns each cavity into a held breath, where apertures suggest both shelter and vulnerability. Arranged at staggered heights, the cluster reads as a quiet ecosystem in dialogue, its glossy surfaces catching light like wet stone while the matte supports insist on human intervention and display. The work hovers between nature-study and invented taxonomy, proposing a meditation on how we collect, classify, and domesticate what remains essentially untamable.